All posts filed under: My Job

So hip it hurts: Class

“Classy is when you have a lot to say but you choose to remail silent in front of fools”   ‘Class’, een magisch woord in de ‘betere’ hospitality kringen. Helaas vaak (en verkeerdelijk) geassocieerd met stijf, bourgeois en vooral niet-modern. Inderdaad, driemaal helaas. Klasse staat vandaag voor de talloze vormen van verrassende, ogenschijnlijk moeiteloze verfijning, of zoals het zo mooi klinkt ‘effortless sophistication’. En dat is nu juist key: het moet lijken alsof het geen of nauwelijks moeite heeft gekost. Niet dat dit echt zo is, uiteraard zit er achter deze nonchalante stijl, uiterste precisie, creativiteit en oog voor het kleinste detail. In de fashion wereld kennen ze de truc al lang, maar op vlak van hospitality is er nog wel wat werk. In het nieuwe ‘classy’ doe je veel moeite en prep achter de schermen. Eens voor het oog van gasten, doen we heel gewoon en gaat het er losjes aan toe. Maar je voelt het meteen, dit klopt, dit is geen gelukstreffertje. Deze gesofisticeerde stijl zien we vandaag bijvoorbeeld in de manier waarop bloemen …

The Tourist_Image of the day #24

This image-of-the-day I shot during a visit at the very strong expo Robotlove during the Dutch Design Week. It catches by attention by it’s beauty, it’s innocence and it’s possibility. The figure is called ‘The Tourist’ and is the work of Dutch artist Margriet van Breevoort. She uses her hyperrealistic sculptures to seduce the viewer to believe in something impossible. The Tourist is the reminiscent of a traveler from a distant world, lost in the here and now. The figure seems to be amazed at the grand and complex world in which we live today. Where does the tourist come from and to what world does she belong? In the light of what is possible today, The Tourist is a reflection of a impending reality. Another work at from the same artist, shown at Robotlove is The Waiting, a humanoid walrus waiting quietly on a bench. The sculpture makes us wonder: what is normal in the world with endless possibilities? Intriguing no? Much more to come on Robotlove and the Dutch Design Week in the next …

The new Fondazione Prada tower Milan

The new Fondazione Prada tower_Milan

The new Fondazione Prada tower Milan When in Milan for our annual visit to the Salone di Mobile, it’s always good to spare some time for a quick (or long) visit to the always interesting Fondazione Prada. This year we absolutely wanted to check out the brand new tower designed by OMA.  The ‘tower’ pré-opened the 20th of April 2018 with a real über-VIP evening with all star artists like Damien Hirst, Carsten Höller, Francesco Vezzoli, and Luc Tuymans, DJ Ricardo Villalobos, architects India Mahdavi, David Adjaye, Rem Koolhaas and Alejandro Aravena; curators Paola Antonelli and Deyan Sudjic and gallerists Jay Jopling and Nazanin Yashar and off course hosts Miuccia Prada and husband Patrizio Bertelli. Quite impressive, so how cool was this we were in Milan that exact week? April 21 st 2018 So we went to visit the tower the very FIRST DAY the museum was open. This report is really a first hand view on a brand new star project. The epic inaugural show “Atlas” was conceived by Miuccia Prada with Germano Celant, the veteran Italian curator, and features …

corn skin waste

Corn food waste: material innovation_DDW 2017

We all know corn. We think there is one kind of corn we can consume during barbecue’s and spare ribes, but are wrong. In Mexico alone farmers breed 62 sorts of corn. The skin of these species of corn are waste material as we don’t consume it. Corn skin waste Designer Fernando Laposse found out dat we do not have to throw away the corn skins but that they can be used as finishing layers on furniture, decorative items and all kind of MDF constructions. The designer also shows where the corn is sourced. By doing so he not only celebrates bio diversity but gives also support to the small farmers who sustain their family. Fernando Laposse is a London based Mexican designer with a BA in product design from Central Saint Martins. He was born in Paris, France september 1988. His work is deeply rooted in material experimentation and craft with a great emphasis on self production and the DIY culture. His projects aim to raise questions regarding whole system thinking, ephemerality, patterns of consumption and …