My true admiration for master Margiela is profound. I know his work from the start, although at that time I could not afford his clothes. But I know about the memorable subway station show, the covered/masked faces in every show so delicately different from one and other, the brilliant make up-time after time- by Belgium’s best make up artist ever Inge Grognard, the wigs flowing over in hair-made coats, the bedcover coat (I got one!!) and much more great stories about Martins rebellion against a tide of commercialism that gamed out creativity. Fashion became more and more dominated by the cult of personality (at this moment it completely took over) so Margiela’s refusal to claim the credit for the stardom he did not want is most remarkable and a statement in a celebrity driven world. “Martin Margiela is different to others because he never compromised his point of view,” explains fashion curator Olivier Saillard in this new film supported by YOOX and directed by Alison Chernick, which explores the career of the mysterious Margiela. “The Artist is …